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Áine Greaney's avatar

This room beneath the house in Upstate New York has an official title: "The Laundry Room." For two weeks now, ever since I landed here from Ireland, I've heard this title slipped into the chatter. "Oh, I left it in 'the laundry room.'" Or, "Just leave it there. I'll bring it down to 'the laundry' room later." This morning, I'm actually down here in this tiny room with its own door and a perfume-y smell and squat window. Through that window, the backyard snow looks a snow cap on a mountain that I have magically climbed. Today, the woman of the house, AKA, my American hostess, leans across from the left-hand machine--the one with the porthole window in the front--to the next machine. "When you're done, you just load your stuff into the dryer," she says. "But clean out the filter first; my daughter never does." Then she leaves, her bathrobe trailing behind her, because she still has to shower and go to work. Now, it's just me down here, in this silent, subterranean room with its own name and where I can push the buttons and where nobody has mentioned a backyard clothes line.

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Susan Winkelaar Kingsbury's avatar

Manuel beckoned me closer to the plant, a Dieffenbachia like the one I’d been tending in my dining room for more than a decade, only this one was growing wild on the side of a road in the Costa Rican jungle, in a green and yellow grove with its brothers and sisters. He gestured, inviting me to look inside one of its unfurling leaves. I took a quick step forward and bent my head down where he pointed, then sharply straightened and stepped back again with a cry. “What is that - a mouse?” He grinned and shook his head. “It’s a bat.”

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